14th and 15th centuries ĭoublets of the 14th and 15th centuries were generally hip-length, sometimes shorter, worn over the shirt and hose, with a houppelande or other form of overgown. The doublet developed from the padded garments worn under armour, such as the gambeson, similar to the aketon, and arming doublet. History Doublet, 1635–1640 V&A Museum no. The only things that changed about the doublet over its history was its style and cut. Throughout the 300 years of its use, the doublet served the same purpose: to give fashionable shape and padding to the body, to support the hose by providing ties, and to provide warmth to the body. Then, like many other originally practical items in the history of men's wear, from the late 15th century onward it became elaborated enough to be seen on its own. By the 1520s, the edges of the doublet more frequently met at the center front. If there was space left it might be filled with a stomacher. The edges might be left free or laced across the shirt front. Doublets were sometimes opened to the waistline in a deep V. ![]() Originally it was a mere stitched and quilted lining ("doubling"), worn under a hauberk or cuirass to prevent bruising and chafing. Until the end of the 15th century, the doublet was usually worn under another layer of clothing such as a gown, mantle, overtunic or jerkin when in public. The doublet was hip length or waist length and worn over the shirt or drawers. The garment was worn in Spain, and spread to the rest of Western Europe, from the late Middle Ages up to the mid-17th century. giubbetta ) is a man's snug-fitting jacket that is shaped and fitted to the man's body. 1570 is in doublet and lined and stuffed ("bombasted") hose.Ī doublet (/ˈdʌblɪt/ derived from the Ital. ![]() ![]() The unidentified tailor in Giovanni Battista Moroni's famous portrait of c. For other uses, see Doublet (disambiguation).
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